fuji 50 140mm f2 8

I shoot prime lenses most of the time, but as my primes top out at 56mm (85mm in old money), I often need the reach and speed of the 50-140mm f2.8 for music photography (especially for stage work). With a full frame equivalent of 75-210mm, this is the the classic workhorse zoom that has the beautiful look of a full frame 70-200mm f2.8. Das FUJIFILM XF (50-140 mm, f/2.8) R OIS WR Objektiv hat eine Brennweite von 50-140 mm bei einer maximalen Blende von f/2.8. Und es wiegt dabei nur 995g. Schnelle Aufnahmen. Mit einer superschnellen Blende von f/2.8 und optischer Bildstabilisierung ist dieses Objektiv ideal für Porträtaufnahmen bis hin zu Sport-Action-Aufnahmen. Du entscheidest! Gesamteindruck. Das Fujinon XF 50-140mm F2.8 macht eine Zusammenfassung nicht gerade leicht. Meines Erachtens und dem Tenor anderer Tests nach zu Urteilen handelt es sich um ein Objektiv, dass zweifellos beste Qualität liefert - auch im Vergleich zur Konkurrenz. Was das bedeutet haben wir in diesem Artikel en Detail betrachtet. Fujifilm XF 50-140mm F2.8 WR. Ống kính XF50-140mm F2.8 WR mang đến độ dài tiêu cự được sử dụng phổ biến nhất đối với thể loại chụp ảnh tele: từ 76mm đến 214mm và độ mở khẩu tối đa F2.8. Ống kính được tạo nên bởi những công nghệ tiên tiến nhất, bao gồm chống bụi XF 50-140mm has quite precise manual focus ring, because at 140mm and F2.8 in-focus area is very narrow. Also, focus ring is "focus-by-wire" type, which means it is not physically rotating anything inside, but instead sending electric signals to the Autofocus drive of lens when you are turning manual focus. I just made two short experiments. mimpi melihat orang yang sudah meninggal hidup lagi. The Gold Standard – a Fujifilm 50-140mm Review /April 2, 2021 Fujifilm 50-140mm Review I’ve been meaning to write this review or at least post some sample photos I took with it because for some reason there are few good reviews out there on this lens. I guess most professional photographers either need this lens for its focal length and f-stop or don’t. And since there are no real alternatives, I guess it’s just what you buy then. But thankfully there is no need for alternatives because - spoilers right off the bat; this lens is absolutely fantastic. If you’re on the fence, like I was for ages, just go ahead and buy it! Especially for me here in Cork city, it can be tough on photographers. There are no camera rentals and only a few camera shops who don’t really cater for Fujifilm photographers. This means I am unable to try out most of my equipment before committing and buying it. This isn’t great because I end up selling a lot of lenses again. This is also why I end up writing these reviews and posting so many sample photos because I am so reliant on other reviews across the internet. Also it’s important to me to post photos that are more relevant than in most reviews. These photos are almost exclusively from professional photo shoots I did in and around Cork city. This is the first part of the full review since I have only had this lens for half a year. And obviously no photographer has been very busy in this time period! Not in Ireland anyway. Irregardless, this Fujifilm 50-140mm lens is such a solid performer and a definite keeper! I have never been much of a telephoto kind of guy, much less a zoom kind of guy. I was and still am in love with my primes. Using a zoom lens just seemed so boring. Usually I wouldn’t touch anything that didn’t start with a number a couple of things always made me consider this lens 1. When I used my 56mm lens, I was always surprised how close I was to subjects, and I always wished I could be more flexible with it, especially when photographing an event where each second counts. Too often would I find my framing to be too close or not close enough. 2. Sometimes, I would need a much larger focal length than the 56mm I own. Not that often, but often enough that it became annoying not to have it. Now that I have the lens, I kinda wished I had bought it several years ago instead of the 56mm. At the time, the 56mm was still a good chunk more expensive than it is now – especially after the realease of the 50mm f1 monster, prices seem to be dropping for it! Although having said that, sometimes I am in dark environments where I do need the aperture but then again, the autofocus is so mediocre that I now use the 50-140mm more often, even in very dark environments, as the autofocus is just instant. How silly is that? Using a lens instead of a in the dark. This just goes to show that there’s no point in having a lens that hits all the right specs if it can’t perform in the real world. This might sound awfully negative – after all, the 56mm lens used to be my primary lens back when I was photographing MMA fights from “ring side”. Ok fair enough, but this lens is just so much better! If the 56mm had the same autofocus, I would use it much more frequently. This 50-140mm lens just locks on instantly, in all conditions that I have tested in so far. Granted, it’s not been the most action packed work thus far but it gives me great confidence that it’ll succeed very well at anything I throw at it. What I also really appreciate is that it has internal zooming. The lens stays the same size, no matter if you’re zooming in or out. I appreciate this for two reasons; 1. If this lens got any longer, it would be more uncomfortable to People don’t notice that much if you’re zooming in on them and stay more relaxed. Photographing events and weddings, any small bit that can help ease the guests or the clients, is a positive. The photographer themselves obviously makes the biggest difference, but sometimes it’s the oddest thing that can trigger a person’s anxiety or one “action” shoot I did have is when I took it with to our favourite, local swimming spot at the river. I took it with me in my first week of owning the lens, to take photos of my friends jumping and hurling themselves into the water. Didn’t break a mild sweat even. Although it was fairly straightforward tracking motions, mostly from left to right, not much back to front action. But it still impressed were the first proper set of photos taken outside of the house. It was really exciting to be able to sit on one river bank, photograph across the river and get fairly tight shots of my friends. The possibilities I now have are thrilling! These photos also demonstrate the focal range nicely as I was sitting in exactly the same spot throughout. I am really surprised how often I am naturally using the higher end of the focal range on this lens. Especially since I always felt like the Fujifilm 56mm had already a very tight FOV. Now I realize it felt so tight because I felt so restricted to it being a prime lens. The Fujifilm 50-140mm vs Fujifilm 56mm size comparison. Size wise it is by far the largest lens I own or ever have owned. In the photos above, it is compared size wise to the 56mm and below are some photos of it mounted on an X-T20 with an add on grip. I also put it next to the 56mm for another size comparison. I lined up the lenses at the large size doesn’t bother me at all, but this obviously a very personal issue. I would never really use this for my personal work, besides the occasional river shoot! For me, it is a purely professional lens. Hence, the size and weight makes no massive difference to me. Although, I did once meet a photographer who was using a Canon 1D mark whatever it was at the time, with a Canon 70-200mm lens. That was a behemoth to hold. The Canon combo weighed double as much as my Fujifilm set up! I wouldn’t be able to photograph a full day, or even a half day, event with that combo! At least not without working out regularly. I think in this mirrorless generation that we find ourselves in, we are very lucky at how easy and light and beautiful everything has gotten, from cameras to images. I think we often forget or maybe didn’t experience the previous generations of technology to really appreciate things lens comes with a foot for easy mounting on a tripod. I leave the foot on the lens at all times, even though I do not mount it on tripods very often at all, but I find it more comfortable to hold the foot instead of the lens for stabilization. Talking about stabilization, this lens has built-in version and my god, am I thankful for it! It’s sister lens, the Fujifilm 16-55mm doesn’t and eventhough I did wish it had it sometimes, especially for the price I paid for it, it’s not a dealbreaker. With this lens, it would be. The stabilization works very well and importantly, makes my life easier to frame my subjects nicely. Even if my shutter speeds are high enough not to need it, it does just make the image in my viewfinder smoother for me. I like that. Anything to make my life easier is a happy addition. Oh, and there is a dedicated button for it on the lens, which I love! This is why I love Fujifilm cameras so much. I love dedicated buttons and knobs that I can adjust even when the camera is off!The bizarre thing with the image stabilization is that you can hear it whirring away. When I initially received the lens I was dismayed because I thought it was defective and I would have to send it back. I jumped on the internet and it turns out everyone’s copy does this. I don’t think it’s an issue but it sure would be nice if they could warn you beforehand! When it comes to image quality, again, it’s such a personal opinion, but I usually don’t get too caught up in the actual quality of it. To me the look of the images are very important to me, ie. what does the overall image look like, what does the bokeh look like, how’s the contrast and micro-contrast, how are the colours? Are there any nasty bits, like severe colour fringing, hazing? If I, for instance, look at the APS-C mirrorless lenses from Sigma for Sony or even the new Viltrox lenses, they just don’t look exciting enough to me. They both lack the kind of contrast I like, and just look too clinical. The same with the Fujifilm 35mm f2. A fantastic lens but just a bit boring. Which is why I ended up selling it. After much deliberation between the Fujifilm 35mm and the Samyang 35mm I am now extremely happy with the Samyang. In my opinion, the best 35mm lens for the Fujifilm I use a lens, I usually know by the first 10 photos if I will like it or not. With the Fujifilm 16-55mm lens, I took one test shot, looked at the photo for a second and instantly knew I would get on very well with it. With this Fujifilm 50-140mm lens it took me maybe 2 shots. A moment of hesitation due to breaking my Fujifilm zoom virginity. All the product photos of the Fujifilm 50-140mm were taken with the Fujifilm 16-55mm lens, just by the way.These were the first couple of images I took with it. Nothing crazy but enough to prove its quality to me. Not to drag the Fujifilm 56mm through the mud again, but according to Lightroom I’ve shot almost 6000 photos with it, and I’m still unsure if I like it or not. Some photos I have taken with it, I absolutley love and adore. But a lot of them, I’m just a bit uninspired with. Just a bit “meh”. They’re not bad, not terrible. They’re just not as great as all my other lenses. I know, some people reading this will think it’s an outrageous comment, I just think it’s a tad too sharp and a smidgen too clinical. Too is irrelevant to me, so long it’s not too extreme either way. But after taking the following shot, I realized that there were people, probably teenagers, at this abandoned house. I only saw it in post zoomed in at 100%. Some foreground and background bokeh test shots on my bike. It can get a bit swirly in the right circumstances in left image. Also, would you believe that this pokey monstrosity in the background is Ireland’s tallest building? In the whole Republic?? It always makes me laugh, but I love it! When it comes to portraits, this is the area where this lens is a dream to use, don’t you think? This is a friend of mine who kindly let me photograph him during some location scouting for a wedding that I was briefly allowed to photograph due to the restrictions at the time. If this had been a proper photo shoot I would have insisted on a single backpack strap! The double strap is handy but a single strap is how the cool kids do it nowadays! Haha! And here is a lovely shot of Cork city. I love to photograph from this hill, the cityscape is just spot on. The wedding couple further down below was photographed on this very hill. The sun was much harsher on the wedding day, even though it was in the same spot, at the same time of day. The following photo clearly demonstrates the one, slight downside of this lens. Generally the bokeh is really nice, especially for a zoom, but sometimes like here, it gets a little busy. I don’t really mind it too much, especially as it only happens in certain circumstances. I haven’t confirmed it yet but I think it happens only on the wider end of the focal range. For me it’s a minor trade-off for everything else that is good about this lens. But a zoom will rarely ever be as good as a prime lens! As I mentioned, this day had much harsher sunlight, but the lens had no issue at all with the slight backlit environment. I did have the lens hood on, but I reckon there was still a lot of sunlight hitting the front lenses directly. The wedding couple wanted some of the famous Cork city landmarks in their photos and as their photographer I was more than happy to oblige. So we have the Four-Faced Liar in the first image and St Patrick’s Hill and Street in the third one. Fun fact St Patrick’s Street was once featured as part of the Tour de France route. A little tidbit there for you. The following photos are a set that accompanies a film that can be found here. There’s also the entire information to this project, which would be too much to re-write here. I was shooting mostly at f8 and f11 for these as it was important for me to get the background visible too. Cheeky Suds Johnson’ also got the Fujifilm 50-140mm treatment! A local, Cork city, soap and cosmetics company. I went out into Cork County, into the countryside to shoot these I would have re-done the shoot today, I probably would have used the 16-55mm lens instead, at least for the smaller items. Its magnification is significantly better, and often I found myself always on the close focus limits with the telephoto zoom. It all worked out but it would have just been that slight bit easier with the 16-55mm I suspect, although I didn’t own or have access to that lens back then. Here is the post on the product photo shoot for more info and how exactly I ended up shooting it. And especially why outdoors and not in a fancy studio environment? And lastly, we have a portrait session I did with Alex. Again, more info here if you’re interested. The following photo also highlights something I have learnt to love about telephoto lenses. A telephoto lens has more background blur than say a 35mm lens, but it has a larger depth of field. I photographed Alex at and 140mm, trying to blur out the background as much as possible, but if we look at his hands, they’re completely in focus. His whole body is in focus. If I had photographed him up close with a 35mm lens, the background wouldn’t have been as blurred but the depth of field would have been narrower and his hands would have been out of focus. Depth of field is not equal to the amount of background blur. As a short summary, I would like to just say that I really look forward to using this lens more! Everything I’ve used it for thus far, it has been excellent at. I like that its build quality is top notch, that the autofocus works so seamlessly, the IS is spot on, everything just works. It’s the gold standard! Oh, and it has WR! Not that important to me but it’s nice to know it has it. Especially in Ireland which gets so much rain, and even more so down here in the south, in Cork like this lens so much that it made me buy the Fujifilm 16-55mm as well. Me? Buying a zoom? An zoom? And enjoying it?? Who am I? I haven’t used that one professionally yet, due to everything that’s going on in the world at the moment, but for little things even, like photographing the Fujifilm 50-140mm it worked so well. Just zoom in and out, no changing lenses, not having to use two bodies. Even the “macro” abilities are pretty good. Don’t get me wrong, I will still be using my primes, it was only a short while back that I declared my favourite lens ever, and that hasn’t changed. But after years and years of always having the limitations of using prime lenses, it is so freeing to use a zoom every now and then. And at the end of the day it’s all about having the most keepers, the most photos! And if an “unsexy” zoom lens allows you to get great shots instead of a lens then that’s what you should use. I mean I. That’s what I should use. I’m still getting used to this whole zoom in half a year or so I will have had more experience with it and more shoots to have a definitive opinion. I can’t wait to take this lens to do some event photography and wedding photography! But for now, I’m sure all these sample photos will do. I will need way more time to come up with something for the Fujifilm 16-55mm I only got that one a quick list of my opinion thus far on the 50-140mmGood++ Autofocus+ Images are great great colour and contrast+ WR+ IS Switch on lens as well+ Internal focusing+ Pro everythingMeh Size Sometimes iffy bokeh Could imagine that an a focus limiter switch would be good in certain situations like Canon lenses haveBad- Price- Lens hoodThanks for reading, I hope this helps someone who’s deliberating this lens. If you would like to read more, why not check out my favourite lens of all time, or check out my other gear reviews here. A telephoto zoom designed for use in trying conditions, the FUJIFILM XF 50-140mm f/ R LM OIS WR is a weather-sealed lens spanning the popular 76-213mm equivalent focal length range and featuring a constant f/ maximum aperture. Built for FUJIFILM X-mount mirrorless digital cameras, this fast zoom further distinguishes itself with a sophisticated design, highly effective optical image stabilization system, and a Triple Linear Motor AF system for refined focusing performance. In regards to the optical design, this lens incorporates five extra-low dispersion elements and one Super ED element, which reduce chromatic aberrations and color fringing for increased clarity and color accuracy. Additionally, a Nano-GI coating has also been applied to elements to alter the refractive index between elements, to minimize surface reflections, and to prevent lens flare and ghosting. Additionally a rounded seven-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus techniques. Voltar ao topo Descrição do produto Especificações Itens inclusos Garantia Avaliações Código 985538 SKU 705032755 17% OFF Top Desejo Frete Grátis Destaques do produto Lente para montagem em X / formato APS-C 76-213mm equivalente a 35mm Faixa de abertura f / af / 22 Cinco elementos ED e um elemento Super ED Tamanho do filtro 72mm Focagem autom?tica L?minas de diafragma 7 Garantia de 1 ano mais detalhes Dúvidas técnicas? Fale com especialista! Lente Fujifilm XF 50-140mm f/ R LM OIS WR 17% OFF Top Desejo Frete Grátis Descrição do produto FUJIFILM XF 50-140mm f / R LM OIS WR Overview Com um zoom telefoto projetado para uso em condições difíceis, a FUJIFILM XF 50-140mm f / R LM OIS WR é uma lente impermeável, abrangendo a popular faixa de distância focal equivalente a 76-213mm e apresentando uma abertura máxima constante de f / Criado para as câmeras digitais sem espelho FUJIFILM de montagem em X, esse zoom rápido se distingue ainda mais por um design sofisticado, sistema de estabilização de imagem ótica altamente eficaz e um sistema AF de Motor Linear Triplo para desempenho de foco refinado. No que diz respeito ao design óptico, esta lente incorpora cinco elementos de dispersão extra-baixo e um elemento Super ED, que reduzem aberrações cromáticas e franjas de cores para maior clareza e precisão de cores. Além disso, um revestimento Nano-GI também foi aplicado aos elementos para alterar o índice de refração entre os elementos, para minimizar as reflexões da superfície e para evitar reflexos e fantasmas nas lentes. Além disso, um diafragma arredondado de sete lâminas contribui para uma agradável qualidade de bokeh ao trabalhar com técnicas de foco seletivo. O zoom telefoto flexível foi projetado para câmeras sem espelho Fujifilm X-mount no formato APS-C e oferece uma faixa de distância focal equivalente a 76-213 mm. A abertura máxima constante de f / oferece desempenho consistente em toda a faixa de zoom e é excelente ao trabalhar em condições de iluminação difíceis. Cinco elementos de dispersão extra-baixo e um elemento Super ED são usados ??para reduzir muito a franja de cores e as aberrações cromáticas, a fim de produzir alta clareza e fidelidade de cores em toda a faixa de zoom. O revestimento Nano-GI Índice de Gradiente foi aplicado aos elementos da lente e altera o índice de refração entre o vidro e o ar, a fim de suprimir melhor o reflexo da lente e o efeito fantasma da luz diagonal incidente. Um revestimento HT-EBC revestimento de feixe de elétrons de alta transmitância foi aplicado a toda a superfície de cada elemento para controlar fantasmas e reflexos, para maior contraste e precisão de cores. Um sistema de foco automático com motor linear triplo oferece desempenho suave e quase silencioso, o que é especialmente benéfico para aplicativos de vídeo e ao trabalhar em áreas sensíveis ao ruído. Complementado por um sensor giroscópio aprimorado e uma série exclusiva de algoritmos, o sistema de estabilização óptica minimiza a aparência da trepidação da câmera para permitir imagens mais nítidas ao trabalhar com distâncias focais mais longas ou velocidades mais baixas do obturador. O corpo da lente incorpora 20 selos climáticos distintos para proteger contra poeira e umidade e para permitir o uso sem preocupações em condições adversas e temperaturas de congelamento tão baixas quanto 14 ° F. O diafragma arredondado de sete lâminas contribui para uma agradável qualidade fora de foco para beneficiar o uso de foco seletivo e técnicas de profundidade de campo rasa. Um colar de tripé está incluído para montagem e gravação equilibradas ao trabalhar a partir de um tripé ou monopé. Compatível com os teleconversores XF TC WR e XF 2x TC WR opcionais. Especificações Abertura Máxima da Lente f / Características de Lentes Não informado Classificação Fiscal NCM 90021110 Comprimento Focal Fixo Não informado Comprimento focal Zoom 50-140mm Cor do Produto Não informado Disparo Contínuo Não informado Distância Mínima de Foco 1 m Estilo de Lente Lente Zoom Telefoto Flash Embutido Não informado Formato de Lentes Lentes Mirrorless Formato do Filme Não informado Galeria de imagens Não informado Garantia Garantia de 1 ano com fabricante FujiFilm do Brasil. Lâminas de diafragma 7, arredondado Megapixels Não informado Modelo de Produto Não informado Opções de Kit Não informado Origem Fabricação Jap?o Peso do Produto 995g Processador de Imagem Não informado Quantidade Vendida Não informado Tamanho do Sensor Não informado Tipo Câmeras Digitais Não informado Tipo de Sensor da Câmera Não informado Tipo de Visor Não informado Tipos de Foco da Lente Focagem Automática Tipos de Tela de LCD Não informado Voltagem Não informado Itens inclusos 1x Lente FUJIFILM XF 50-140mm f / R LM OIS WR 1x Tampa da lente FUJIFILM 72mm 1x Tampa da lente traseira FUJIFILM para lentes de montagem X da FUJIFILM 1x Cobertura da lente 1x Colar de Tripé 1x Envoltório de pano Garantia A FUJIFILM do Brasil é reconhecida mundialmente pelo excelente padrão de qualidade de todos os seus produtos, que passam por diversos testes antes de chegar ao consumidor. Porém, se houver alguma falha de funcionamento dentro do período de 365 dias sendo 90 dias de garantia legal e 275 dias de garantia contratual, a partir da data de emissão da nota fiscal, este será reparado, gratuitamente. IMPORTANTE A garantia perderá seu efeito caso o mau funcionamento apresentado seja atribuído as seguintes causas • Manuseio inadequado; • Danos ocasionados por queda; • Tentativas de conserto por pessoas ou oficinas não autorizadas; • Danos por vazamento ou oxidação das pilhas baterias caso se aplique; • Infiltração de água ou qualquer outro fator estranho ao produto. CONTATO 0800 770 FUJI 3854 ou Avaliações Um zoom telefoto oferecendo as distâncias focais telefoto usadas com mais freqüência, o equivalente a 76 mm * a 213 mm * e uma abertura máxima de DESCRIÇÃO Um zoom telefoto oferecendo as distâncias focais telefoto usadas com mais freqüência, o equivalente a 76 mm * a 213 mm * e uma abertura máxima de Ele apresenta a mais recente tecnologia, incluindo resistência à poeira / água e baixa temperatura, um motor linear triplo e a melhor tecnologia de estabilização de imagem do mundo em sua classe, para que os usuários não percam uma foto em nenhuma condição. Seu desempenho avançado torna-o uma escolha perfeita, não apenas para retratos e instantâneos, mas também para capturar assuntos em movimento rápido em fotografia de esportes ou vida selvagem e para fotografia de natureza em geral ao ar livre. CARACTERISTICAS23 elementos em 16 grupos inclui 5 elementos de dispersão extrabaixa e um elemento de dispersão super extrabaixaDistância focalEquivalente ao formato de 35 mm f= 50 a 140 mm 76 a 213 mmÂngulo de visão 31,7° - 11,6°Abertura máxima mínima F22Controle de abertura Número de lâminas 7 abertura circular do diafragmaTamanho de passos 1/3EV 19 passosAlcance de foco Normal1 m - ∞ posição do zoom totalMacro1 m - 3 m posição do zoom totalAmpliação máxima 0,12x Telefoto ESPECIFICAÇÕES TÉCNICAS Dimensões externas Diâmetro x Comprimento* aprox.* distância a partir da flange de montagem da lente ø82,9 mm x 175,9 mm Grande angular / TelefotoPeso* aprox.*excluindo-se a tampa, parassóis e tripé com anel de fixação 995 gTamanho do filtro ø72 mm A FUJIFILM do Brasil é reconhecida mundialmente pelo excelente padrão de qualidade de todos os seus produtos, que passam por diversos testes antes de chegar ao consumidor. Porém, se houver alguma falha de funcionamento dentro do período de 365 dias - para câmeras, lentes e impressoras - sendo 90 dias de garantia legal e 275 dias de garantia contratual, e 90 dias - para filmes e acessórios - a partir da data de emissão da nota fiscal, este será reparado, gratuitamente. IMPORTANTE A garantia perderá seu efeito caso o mau funcionamento apresentado seja atribuído as seguintes causas • Manuseio inadequado; • Danos ocasionados por queda; • Tentativas de conserto por pessoas ou oficinas não autorizadas; • Danos por vazamento ou oxidação das pilhas baterias caso se aplique; • Infiltração de água ou qualquer outro fator estranho ao produto.

fuji 50 140mm f2 8